Just For Kicks: Zanzibar Circus 6.19.18

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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.

Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly for free.

Oh, the Carnage and Lifelong Scarification of Temptations Unresisted! #Pastries

I could see the danger clearly the instant I opened the box …

yummy

Without doubt, this nondescript cardboard package had been sent by an enemy of diabolical cunning and almost incomprehensible Evil! Oh, the tiny sticker on the outside of the heinous delivery read: “Lafayette French Bakery and Café in Carmel, California,” but I knew that anything containing objects this lethal, this astonishingly insidious, could only emanate from warped minds hell-bent upon the ruination of all that is good and redemptive in civilization. What to do? What to do?

How on earth could one unsuspecting man diffuse such potentially explosive and catastrophic devices of mass-destruction (for that is clearly what they were) without risking the exposure of my fellow countrymen (and women) to the deadly fallout of nougaty goodness, rich chocolate despair, and widespread lemon-curd radiation? In those grim moments I grappled with the existential ramifications and a quaking sense of my own, tenuous mortality. The clock on the wall ticked with accusation and foreboding. Time was of the essence! Others were going-about their affairs, blissfully unaware of the Tsunami of Ruin about to come crashing down upon their innocent heads!

A decision had to made! Taking the first volatile Instrument of Certain Doom in my hand …

lemonjoy

… I knew that there was only one way to rid the earth of such calamitous forces. I gave myself, so that others might continue and thrive, that good people across the globe might rise to greet each new day with the sheer exaltation that comes with being alive.

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Sacrifice is never easy, and the carnage is brutal to behold–often remembered only in grainy, indistinct footage that can never pretend to capture the magnitude of the bloodshed. The courageous among us, however, forge onward. We do it because we must.

We must.
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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.
Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly for free. That would make him a Wattpadder or a Smashworder, not a writer.

Jonny’s Retro-Cinema Hall of LAME: Goo-Luvin’ Giants … with their own village!

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JONNY’S RETRO-CINEMA HALL OF LAME presents TODAY’S DUBIOUS HONOREE: VILLAGE OF THE GIANTS (1965)

GUILTY OF VEHICULAR FANSLAUGHTER: Director Bert Gordon with “Stars” Beau Bridges, Tommy Kirk, Joy Harmon, Johnny Crawford, Ron Howard, Robert Random, Toni Basil, Vicki London, and other Assorted Aces of Awfulness

RUDIMENTARY ANALYSIS: Based more loosely than a herd of rabid, wailing cows attempting to dance the Virginia Reel upon H.G. Wells’s novel, Food of the Gods, this colossal 1960s drive-in stinker tells the story of several wayward teenagers who gobble a mysterious (and ominously named) substance called “Goo”, transform into 30-ft. tall, adenoidal, acne-scarred versions of themselves, and proceed to wreak sweaty, giant-teenybopper havoc upon a God-fearing California town (it was still the mid-1960s, hence the combination of God-fearing + California). The film’s primary theme, aside from an attempt to illustrate the dynamic of teens getting the ultimate chance to rebel against “evil adults” is basically …  well … humongous tits. Humongous tits and the notion that humongous tits can be made exponentially larger simply with the addition of a goo-like substance. Clearly, Village of the Giants was ahead-of-its-time — practically oracular.

DEFINITIVE DIALOGUE: “I was big enough before!” (Joy Harmon as “Merrie,” after she notices her new, unwieldy wrecking ball-sized ta-tas)

BRUSH WITH GREATNESS: This film is considered a front-runner on many reputable “Worst Film in History” lists, but one cannot argue with the caliber of certain cast-members who would go on to genuine greatness. Beau Bridges and Ron Howard (the latter of whom guest-stars straight out of his Opie-era days as the pint-sized Goo-inventing “Genius”) are the obvious big names hopefully scarred forever by shame because of Village of the Giants. Even so, once she was reduced to normal buxom dimensions, Joy Harmon went on to littler and better things, and many people still remember the kooky Toni Basil from her “Oh Mickey, What a Pity” chart-topping days. The movie has a special resonance for me because I actually got to know one of its hot-mama “giants” — the lovely Vicki London, who played Georgette. Last I saw her, Vicki had a humorous attitude about her Bad Film Immortality. It probably helped that she went on to become one of California’s most successful realtors, as well as a motivational speaker, jewelry designer, and “transitional therapist.” She lives (under her real name) in the SF Bay Area and cooks a decent lamb chop. That’s all I got.

LAMENTABLE LEGACY: This magnificently awful film was supposedly spoofed by the legendary denizens of Mystery Science Theater 3000, but no one seems to have reissued the original episode. That is lamentable. Infinitely so.

WHERE ARE THEY NOW?: Beau Bridges was last seen (at least by me) in drag in a hilarious episode of The Closer. Ron Howard dog-paddles in a pool filled with Hollywood glitter and freshly minted $100 bills. We know about Vicki’s lamb chops. Toni Basil is hopefully getting at least a $100 a year in Mickey residuals. Who knows? Who cares?

EXPERIENCE THE MAGIC: From the opening “mud-dance” super-classic scene to guest-musicians “The Beau Brummels,” you MUST behold the BADNESS to respect it and believe it.

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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.
Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly for free. That would make him a Wattpadder or a Smashworder, not a writer.

Checking-Out to Check-In

It has been awhile since I’ve blogged anything newsy on the official site (including Zanzibar strips) and there are reasons for that which I would like to take a few moments to explain.

First, I have been steeped for the past six months in the preliminary planning and initial creation-phases of my next, as-yet-untitled book, slated for release in 2019 by Brightbourne. It’s going to be a massive piece of work—lavishly illustrated and certainly the most ambitious project I will ever tackle in my lifetime, and the creative energy required to “pull off” such a feat is all-consuming, as well as a trifle terrifying, albeit in a good way. Drawing all the existential components together to essentially braid the synthesis of focus, desire, and discipline needed to accomplish such work makes everything else pale in comparison, by necessity.

Second (and no less crucial than my first point), I am repelled utterly by the tsunami-sized wave of pointless, trivial, hackneyed, and infantile “writing” that has swept across our popular culture at every level. The majority of people simply have no business venturing beyond the composition of a grocery-list when it comes to literary efforts, much less adhering to even the most basic standards of publication. I will gladly wear the mantle of “elitist” when it comes to this issue, and shall stand firm for the genuine writer’s dedication to superior craftsmanship, a trade that can claim roots in long years of steady discipline and talent well-nurtured.

Trust me: a master carpenter is not going to tell you that your uneven, uninhabitable birdhouse is a work of fine craftsmanship that merits an equal place alongside his (or her) professional creations. Not everyone deserves a trophy.

At all events, in a dead market flooded chiefly with thousands of puerile soft-porn “novels” written (and self-published!) by bored, illiterate housewives, or thrillers cobbled together with the creative equivalent of wallpaper-glue by old men who watch too much television, American Literature is, without question, at its nadir.

Then again, so is the culture of which the above-mentioned sort of dreck is merely a pestilential symptom.

That cannot be helped—the pendulum will have to swing in the opposite direction, and swing hard, before all of this detritus is brushed into the oblivion from whence it came, and where it belongs.

The same goes for blogging and for regularly posting opinions and ditherings and blatherings in a cyberspace already deafened by the roaring and lowing and chattering of the masses.

I don’t know why seasoned, professional writers even bother to do it, especially if they’re not getting paid. Look what incessant blogging has done to Neil Gaiman’s output. My G-d.

Another point: Nothing is ever really free, but if something is given away recklessly for “free,” I guarantee you that, 99.99% of the time, it is not worth even the most cursory glance.

Everything I shall have to say about the world, the cosmos, and its workings shall henceforth be found strictly within my books, and one shall have to pay for them. It’s a publisher’s job to entice potential audiences to do just that, at their cost, not mine.

Other than that, I’ll provide general-info updates when necessary and perhaps the occasional cartoon when fancy strikes.

Amid all of this, the greatest irony remains: the conglomeration of social media crap has got to be maintained to some degree by anyone in the publishing industry. These Official Facebooks, Twitters, .coms, and Instagrams should ideally be business cards for the serious writer, no more no less.

And no one should ever get excited about a business card.

Rather, get excited about the work that “card” represents. And if you’re a serious, seasoned writer, thank your lucky stars that literacy-levels are still high in Europe.

Ta, for now.

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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.
Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly for free. That would make him a Wattpadder or a Smashworder, not a writer.

Classic Retro Kids’ TV On-the-Cheap by Jonathan Kieran: MR. DRESSUP

CLASSIC RETRO KIDS’ TV ON-THE-CHEAP! by JONATHAN KIERAN

TODAY’S DUBIOUS HONOREE: MR. DRESSUP (Canadian Broadcasting Corporation 1967-1996)

A single adult man who keeps a biologically unrelated little boy living in a tree in his backyard? Welcome to kids' TV from the CBC!

A single adult man who kept a biologically unrelated little boy living in a tree in his backyard? Welcome to kids’ TV from the CBC!

GUILTY OF VEHICULAR FANSLAUGHTER: Ernie Coombs (Canada’s answer to Mr. Rogers … only a lot more caffeinated and likely to bounce off the cardboard walls)

RUDIMENTARY ANALYSIS: Nothing touches the Canadian Broadcasting Corporation (CBC) for producing tatty but creative kids’ shows that were built to last and rife with mangy-looking puppets suffering from Borderline Personality Disorders! As a bumpkin-child in the woods of upstate New York, I couldn’t wait to fill my impressionable mind with that one-of-a-kind brand of folksy Canadian Crazy that the CBC pumped into our living rooms on a daily basis via programming like The Friendly Giant and the legendary Mr. Dressup.

Mr. Dressup was probably the “King” of cheesy children’s TV, at least for youngsters in our region who depended upon the seemingly limitless pipeline of entertainment thrift utilized by producers just across the border — producers who had to stage a show with nothing but four or five Ping-Pong balls, construction paper, two asbestos oven-mits and maybe a ukulele. The brain-trusts in Toronto knew how to BRING IT! I only wish today’s bloated and shiftless TV execs could do in an hour with their $9 million budgets what Mr. Dressup’s team obviously did in 10 minutes for a few bucks and a six-pack of Carling-O’Keefe.

Mr. Dressup ran daily from 1967-1996, amassing over 4,000 episodes packed with wanton childishness. That was the whole point! Like most children’s TV programs since the days of Caesar and Cleopatra, the setting and context of the actual characters on Mr. Dressup lacked verisimilitude. Wait. Scratch that. The set-up made absolutely no freakin’ sense whatsoever. First of all, you had a loner-type adult person with no fashion-sense and no apparent prospects for marriage (Mr. Dressup) living in a tiny house crammed with semi-magical knick knacks and strange outfits that were kept in something called a “Tickle Trunk” while, out in the back yard, a child biologically unrelated to the adult lived in a tree.

Uh huh.

On the Mr. Dressup show, the treehouse-dwelling child was a freckled puppet named “Casey”. Casey looked like an unfinished Lady Elaine Fairchilde marionette stolen from the Mr. Rogers set, fitted with a blond page-boy wig and wrapped in a tea-cozy. A parade of disheveled, disoriented and equally unrelated puppet-people streamed constantly through the door of the little house to visit the adult loner and the boy he kept in the backyard tree. This highly unusual and improbable “family unit” was unexplained and therefore taken for granted by the viewing public at the time. We called it “the magic of children’s television.”

Today they call it “a particularly disturbing episode of Law and Order:SVU.”

But that’s how kids’ programming rolled in the days before unseen parents allowed their irritating real-life children to play in the park unsupervised with an obese purple dinosaur on Zoloft that taught them to chant endless verses of black magic composed by Lucifer, Lord of Hell.

In terms of plot, the Mr. Dressup show was rather formulaic and predictable, which was an attribute beneficial to a developing child’s mind, I believe. That whole dynamic has certainly changed. Mr. Dressup, ever-exuberant in his bow-tie and suspenders, would greet his friends in TV Land and prepare them for a morning of storytelling that always involved the retrieval of some indicative costume from the Tickle Trunk. The costume was usually made out of colored gauze, tinfoil and discarded candy wrappers, but we didn’t care, as kids. Sometimes, to our horror, the Tickle Trunk wouldn’t even open, forcing Mr. Dressup to actually “coochie-coo” the damn thing until it coughed-up the goods. That trunk was a coy little tramp.

Once Mr. Dressup donned the Kleenex cape or the fake beard made out of cotton yanked from a thousand Q-tips, he would tell some brief fairy tale that sent us all off to Imagination Town in our pea brains. After that it was time to head out into the backyard for a visit with Casey in the treehouse. The best part about Casey was actually his constant companion, Finnegan the Dog, who looked like an unlaundered sailor’s sock after a nine-month tour of duty. Finnegan the Dog was great because he was entirely mute. Couldn’t bark a note. Couldn’t growl. Couldn’t talk. He was the only silent creature of Irish extraction I ever saw. Mr. Dressup or Casey would talk to Finnegan or ask his opinion about something and the puppeteer would merely make Finnegan’s “mouth” move silently and he would whisper the answer in Casey’s ear. Casey would then translate/interpret Finnegan’s response. He was the original Dog-Whisperer, that Casey.

The entire, belovedly creepy Mr. Dressup crew -- l. to r. the clearly "out of it" and obviously overmedicated Aunt Bird, Alligator, Mr. Dressup, Casey, and Finnegan the Dog

The entire, belovedly creepy Mr. Dressup crew — l. to r. the clearly “out of it” and obviously overmedicated Aunt Bird, Alligator, Mr. Dressup, Casey, and Finnegan the Dog

An assortment of guests would soon follow. An alligator-puppet cleverly named “Alligator” might drop by to yammer-on about God-Knows-What and at least once a week you could count on a visit from Aunt Bird, who was the show’s requisite “dazed and confused” elderly puppet. Poor Aunt Bird never made much sense, always looked like she had possibly been mauled in an alley by Finnegan the Dog’s more aggressive canine relations, and she was a definite candidate for Lady Rogaine or whatever it is they recommend for women with unsightly bald patches. Sometimes in tow with Aunt Bird was her niece, Miss Biz, a bug-eyed specimen who was as neurotic and disconnected as Elaine Stritch. Miss Biz, with only about a dozen strands of pink, wispy boa-feathers protruding from her lumpy head as “hair” clearly inherited the Female-Pattern Baldness gene from her dizzy aunt. I always figured there must’ve been an ostrich or maybe a vulture in that follicle-challenged bird-family’s woodpile. Anyhow, after all of this pointless but riveting Goodness, Casey and Finnegan would go to sleep in the treehouse, Aunt Bird and Miss Biz would fly off to whatever sorry, hair-lined nest they called home and Mr. Dressup would conclude the show with a consultation of the Wise Old Owl, which was a framed picture of an owl that would magically come to life and open its cardboard eyes, roll them, say: “Who, who, to-wit, to-woo …” and then offer some word of encouragement to insecure children all over the world … or at least within a 150-mile radius of Toronto, Ontario.

It’s amazing how such low-budget yet creative and lovingly crafted productions had the power to mesmerize children, once upon a time. These characters became as familiar to us as friends when we were young and life was a bit simpler. It all went down not that long ago — as noted, the Mr. Dressup show racked-up 29 years of whimsical entertainment and over 4000 little episodes before the Tickle Trunk demanded a cut of the syndication profits or went on the fritz and refused to reveal its secrets for the unappreciative ADHD demographic of the burgeoning Cyber Age. That’s okay. When the asteroid hits and the Zombie Apocalypse is unleashed upon what precious little is left of civilization, we’ll all be forced to live in treehouses with pets rendered mute by radiation poisoning. I figure I’ll be one of the few who’s ready.

Thank you, Mr. Dressup.

DEFINITIVE DIALOGUE: “Three little birdies, happy and gay. Three little birdies fly away.” (Classic chart-topping Mr. Dressup lyrics)

WHERE ARE THEY NOW? Ernie Coombs, who played Mr. Dressup for almost 30 years on the CBC, went on to become a popular figure on the college lecture circuit, especially for generations of students who had “grown up” with the beloved children’s program. Ernie Coombs passed away in 2001. RIP, Mr. D. As for the OTHERS …

Casey from the Treehouse

Perhaps scarred by a youth spent living in the backyard tree of an unrelated adult male, Casey found the transition to adulthood somewhat difficult. Between government checks and visits to his parole officer, he still finds time to audition for local children's theater and enjoys macaroni art. He lives in Winnipeg.

Perhaps scarred by a youth spent living in the backyard tree of an unrelated adult male, Casey found the transition to adulthood somewhat difficult. Between government checks and visits to his parole officer, he still finds time to audition for local children’s theater and enjoys macaroni art. He lives in Winnipeg.

The discombobulated “Aunt Bird”

WARNING GRAPHIC: This is a photo from the Ottawa Police Department's homicide unit, taken Thanksgiving Day 1996. It is the last known photograph of Aunt Bird. Her surviving family members refused to speak to Pop HazMat about the murder, which appears to have been related to the infamous "Savory Stuffer's" string of serial killings that terrorized Canada in the late 1990s.

WARNING! GRAPHIC: Above is a photo from the Ottawa Police Department’s homicide unit, taken Thanksgiving Day 1996. It is the last known photograph of Aunt Bird. Her surviving family members refused to speak to us about the murder, which appears to have been related to the infamous “Savory Stuffer’s” string of serial killings that terrorized Ontario in the late 1990s.

The Tickle Trunk

Of all the Mr. Dressup cast-members, the Tickle Trunk appears to have fared the best in private life. Tickle Trunk (pictured on the left) is now owned by Lance and Bartholomew,  a fabulous Greenwich Village couple who specialize in restoring worn-out receptacles of all shapes and sizes. "We needed a place to keep our collection of damask napkins and, well, we certainly love to tickle," said Lance. "It was really a no-brainer."

Of all the Mr. Dressup cast-members, the Tickle Trunk appears to have fared the best in private life. Tickle Trunk (pictured on the left) is now owned by Lance and Bartholomew, a fabulous Greenwich Village couple who specialize in restoring worn-out receptacles of all shapes and sizes. “We needed a place to keep our collection of damask napkins and, well, we certainly love to tickle,” said Lance. “It was really a no-brainer.”

EXPERIENCE THE MAGIC: Casey and Finnegan … Classic Moments to Treasure.

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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.
Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly and believes that any “writer” who gives-away a lot of stuff for free is a Wattpadder or a Smashworder.

Post-Christmas Narcissistic Food Porn

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Yes, I am hereby and at last engaging in that ”time-honored” FB tradition of displaying one’s private FOOD PREPARATIONS for the awestruck wonderment of those inhabiting cyberspace. Because we ALL KNOW how crucial it is that untold others see exactly what we are about to put into our mouths and proceed to masticate, thus launching the arduous and biologically complex process of human digestion.

Whull, at least my Foodie Narcissism comes with a recipe that you, too, can perhaps implement in your own future efforts to flood the internet with visual information about items your teeth are eager to gnaw while your tongue makes a series of accompanying, helpful movments and saliva-drenched gyrations.

Behold (above) the centerpiece of my Christmas Day Lunch, or Lupper. Or brunch. Or Bupper.

8 Lamb Loin Chops, Marinated Overnight.

You’ll need: 8 Lamb loin chops (no kidding)

Salt them with a reasonable amount of kosher or sea salt. (Not too much!)

For your marinade: mince 8 or 9 cloves of garlic; chop finely one fresh “branch” of rosemary—about 2 heaping tablespoons worth, when chopped; chop finely one cluster of green onions, the kind you buy in any supermarket; using about a one-inch wide slice of lemon peel, create some lemon zest, chopped in a fine julienne style; add about a quarter cup of chopped purple onion; slop a few passes of good extra virgin olive oil in a skillet and then combine all the ingredients of the above-described marinade into a skillet or big baking dish.

Rub all eight of the lamb loin chops in the mess, coating both sides LIBERALLY. Cover and place in the fridge overnight.

When ready the next day, preheat your oven to 400 degrees, but cook the lamb chops on high heat atop the stove FIRST, about 2 minutes each side. You want to give them a nice, quick sear.

Next, transfer the lamb chops into a DIFFERENT baking dish or oven-safe skillet, and place them in the preheated oven. Cook ‘em for about 10 minutes, or 15 if you like your lamb well done 😩.

Meanwhile, reserve the “drippings” from your stovetop sear (including all the marinated bits). Strain the liquid, etc. through a mesh strainer into a saucepan. Add about a cup of chopped mushrooms (morels or brown button mushrooms are great—don’t use toadstools or hallucinogenic varieties.)

Cook the strained liquid and mushrooms on med-high heat in the saucepan. Add a bit of vegetable stock if you feel you don’t have enough broth. As the mushrooms give off their goodness and the liquid begins to reduce, add a small handful or flour or cornstarch to create a roux. Stir like mad with a bamboo whisk or wooden spoon to turn the roux, keeping it smooth and silky.

When your lamb loin chops are finished in the oven, serve them up and top them with sprigs of rosemary and your lamb roux/gravy. Voila!

I served this on Christmas Day with mashed potatoes (save some gravy for them taters!), brussels sprouts, homemade dungeness crab cakes, and an earthy pinot noir. No one keeled over. At least not from the food.

Trust me, it’s Ten Commandment-breaking good. Just like I hope your Christmas and New Year shall be. (Staying on the straight & narrow, of course.)

Happy Happy Times, Friends … Another Year Beckons. Whatever shall we do with it?

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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.
Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly and believes that any “writer” who gives-away a lot of stuff for free is a Wattpadder or a Smashworder, not a writer.

He-Man & She-Ra: Proudly Fostering Body Dysmorphia since 1983! by Jonathan Kieran

POP HAZMAT RETRO HALL OF FAME presents Wonderfully Warped Children’s Television!by JONATHAN KIERAN

TODAY’S DUBIOUS HONOREE: He-Man (1983-1985) and She-Ra (1985-1986)

GUILTY OF VEHICULAR FANSLAUGHTER: He-Man, She-Ra, Skeletor, Battle Cat, Teela and all the elves working Mattel’s Everlasting Assembly-line of Dysfunctional Dreams.

He-Man and She-Ra ... Padding the bank accounts of psychologists specializing in Body Dysmorphic Disorders since the 1980s!

He-Man and She-Ra … Padding the bank accounts of psychologists specializing in Body Dysmorphic Disorders since the 1980s!

RUDIMENTARY ANALYSIS: If you were a trendy child growing-up in the 1980s and early 1990s, there’s little chance you escaped the pop-culture gravitational pull of He-Man and She-Ra, who were basically two sword & sorcery action-figures with their own animated Saturday morning infomercials thinly disguised as kids’ TV shows. He-Man came first as you were spooning Cap’n Crunchies into your spellbound face and dripping sugar-saturated milk all over your jammies and onto Mother’s new JC Penney area-rug. But you could hardly look away when He-Man sauntered across the screen in all of his garish, stilted-animation glory. He-Man was essentially a warrior-type dragged from any garden-variety epic fantasy novel, stripped of every piece of clothing a warrior would need, except for a colorful jock-strap and boots, pumped with a regimen of steroids that’d make Lance Armstrong look like a dilettante and armed (of course) with a magic sword.

Or maybe the magic sword was the talisman of She-Ra, He-Man’s twin sister, who got her own spin-off show/infomercial so the little girls and the gays would have something to razzle their dazzle while masticating Cocoa Puffs and Pop Tarts from 9AM til Noon on weekends. She-Ra was as overblown as He-Man, for these were the days when slightly doughy or out-of-shape heroes (like TV’s Batman and Robin or the skinflint “Shaggy” from Scooby-Doo) just couldn’t cut the cartoon mustard any more, so kids were being presented with progressively exaggerated images of the human body and schooled in the importance of having Big-Gulp secondary sex characteristics when the time came to transform into one’s crime-fighting alter ego. Thus, She-Ra was stacked like a particularly earnest Hooters waitress working the Halloween shift in a costume she spent maybe ten minutes putting together out of a tablecloth and some ornamental napkin holders from the Pic-N-Save. Her boobs were honeydew-perfect and seemingly attached to her chin, which looked like the surgically sculpted masterpiece of some sought-after Beverly Hills body butcher. Those Power Ta-Tas did not flinch an inch when She-Ra was conquering the forces of evil! In fact, it was probably her chi-chis that poked Skeletor’s eyes out … though the series never addressed that likelihood, to my knowledge.

Skeletor ... Blinded by the Mighty Meemies of She-Ra or just a rip-off of Ghost Rider in Dungeons & Dragons drag?

Skeletor … Blinded by the Mighty Meemies of She-Ra or just a rip-off of Ghost Rider in Dungeons & Dragons drag?

She-Ra’s gargantuan hairdo was a thing of splendor in and of itself — daunting enough to make all 43 of the weaves and assorted clip-on wigs atop Beyoncé’s head writhe like Medusa-snakes in anger and envy. He-Man actually had even bigger and more ridiculous breasts than She-Ra. His torso looked like an airbrushed Smithfield ham balanced atop the legs of a Clydesdale draught-horse, with a baby watermelon stuffed in his red bikini.

For about fifteen minutes during the ’80s, we all loved these shows and couldn’t get enough of the ADHD-inducing drama, much less of the action figure tie-ins and “accessories sold separately.” Then we grew up, as well-adjusted children ought to do, and we moved on — thoroughly prepared for a culture of pervasive internet porn, rampant body dysmorphic disorders, obsessive workout regimens, bodacious breast augmentations, fake hair, fake names, fake intelligence, fake values, indiscriminate displays of physical violence and a vast gallery of narcissistic smartphone “selfies” taken in front of bathroom mirrors by the millions. It’s a lot easier to work for a set of ripped abs or buy a smokin’ hot rack than to fight the Forces of Darkness, these days. Fighting evil with magic swords? Nah, we didn’t bring that part of the show into the new millennium. We just brought the hotness and the Evil.

Thank you, Filmation!

DEFINITIVE DIALOGUE: Here’s 10 indispensable He-Man quotes steeped in the kind of wisdom that explains exactly why your kids turned out the way they did.

EXPERIENCE THE MAGIC: The classic He-Man Intro. Note how the “pre-transformed” Adam (Prince of Eternia) appears to be voiced by a 59-year-old Presbyterian radio-announcer from Topanga with a deviated septum.

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Jonathan Kieran is the author of the Rowan Blaize series of epic contemporary fantasy books (Brightbourne 2012), as well as the critically acclaimed (Midwestern Book Review, Manhattan Book Review) Confessions From The Comments Section: The Secret Lives of Internet Commenters and Other Pop-Culture Zombies. His work has also been featured on The Daily Dot.com and in a plethora of other ‘zines, papers, and alt-weeklies. Click on the book covers above and to the right if you want to learn more about Jonathan’s titles and perhaps spend some of your hard-earned money on his multi-formatted gifts to the human race.
Jonathan is currently writing and illustrating a new masterpiece of epic dimensions. Drop-in once in awhile for updates. Mr. Kieran promises to provide them, but only once in awhile, because he doesn’t get paid to blog endlessly and believes that any “writer” who gives-away a lot of stuff for free is a Wattpadder or a Smashworder.