Jonathan Kieran

If writer, director, star, and “stalkee” Richard Gadd’s Netflix-streamed series is indeed the true story he asserts it to be, then viewers are privy to a staggering, brutal, often surreal glimpse of the intricacies of human greed and need. The layers of desperation that fall like veils over the human ego in order to obscure it, protect it, feed it, and further its hunger for approval at all levels can only occur in societies built upon ciphers, grand illusions, and even more destructive self-serving delusions.

Where does sympathy end and insanity begin?

This series’s riveting, visceral plunge into the cost of fame, the efficient seduction of deceit, and the collateral depravities of our far too interconnected, pathologically disconnected, transient Western world should frighten anyone of pure heart into eremitic solitude, at least for a few days.

Compelling, cautionary, and rank with grotesqueries, BABY REINDEER is an odyssey that must be seen to be believed, and believed to be truly comprehended.

This is our mortal coil with all the trimmings, after all.

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